The magic of improv

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“Some days just going into a theatre is a huge accomplishment. Sometimes just putting on pants is a huge accomplishment. It’s all relative,” improviser Dan Frampton, pictured right, said. Photo credit: Brent Robichaud

As Toronto improviser Dan Frampton says, “I couldn’t have found a better thing to have in my life.”

I could not agree more. For me, improv has been like a fun and awesome but unpredictable friend, who forces me out of my comfort zone. “Hey dude, we should get up on stage together. And you should get down on the stage floor like a rat. It will be funny,” improv would say to me. You may be scared initially of hanging out with your friend named Improv, but you learn to love him.

Anyways, let’s meet Dan, who recently graduated from the improv programs at Second City and The Assembly. He’s also a singer, songwriter and vocalist with his band, The Dean Project, which he describes as an acoustic spoof act that satirizes music culture. They toured the country with their makeshift drum, a three-foot-tall plastic nutcracker named Munchie.

Disclaimer: Dan and I were classmates together at Second City. He’s a friend and he’s awesome. Here’s what he had to say about his journey in improv.

How did you get into improv?

Unfortunately, this is where the story takes a bit of a dark turn. While driving home from a show in Peterborough, we were hit by a transport truck. My best friend, and namesake of the group, Dean, didn’t survive the wreck. The five years that followed were the hardest years I could imagine having. It took much soul searching and episodes of Frasier for me to realize what I needed in this new life of mine.

Then one day, I started thinking, “Hey, just do improv. The Dean Project was just an untrained musical improv troupe. Just learn this fer realz.” So, I dropped into Second City and the romance began.

I’m so sorry to hear about your friend. What has the journey been like for you after getting started in improv?

It’s actually been so fucking crazy. Life-changingly crazy. I find that improv fucks with my head in so many beautiful ways. One day, in one scene, a concept makes total sense. It works! Yay, laughs! The next day, in a new scene, that concept ruins everything. Boo, no laughs! The learning, I feel, is all in the play. The “rules” don’t dictate what’s good. That immediate response from the audience tells you what’s good. And I love that! That constant discovery is what keeps me going.

What would you say is your biggest accomplishment as an improviser?

Some days just going into a theatre is a huge accomplishment. Sometimes just putting on pants is a huge accomplishment. It’s all relative.

I totally agree. Just putting on pants is an achievement for me. Do you have any favourite scenes?

I was doing a jam at The Social Capital. My character was a waiter. Every offer made him need to pee more. Halfway through the scene my nose actually started bleeding, giving my character the motivation to run to the bathroom. I yelled “I can’t work anymore” and ran to the actual bathroom. To this day, the SoCap 3rd floor stage has a bit of Dan Frampton DNA soaked into it. Totally gross, man!

How has improv made a difference in your life?

It’s a whole new life. I couldn’t have found a better thing to have in my life. I truly love improv. I love warm-ups. I love short form games. I love classes and drop-ins. I’m in love with long form. But to me, it’s all about the community and the shows! I’m often not the best in social scenarios and the politics of the scene sometimes really fuck with me. Those are things that I’m always working on. I’m endlessly thankful to have a community where I get to work on some shit with.

Can you tell me about a time you’ve messed up on stage and just rolled with it?

I’d say my improv style consists of only mistakes and trying to dig myself out.

Where can we see you on stage?

I’m not playing on many stages these days. Mainly because “improv audition” is a major oxymoron to me. It bends my brain in many unnatural ways. Improv is an in- the-moment experience. It lives and dies simultaneously. To bring that to a panel of judges seems unfair me. I’ll be going to events that I see posted online. While there, I’ll be doing my best to make friends. If there’s a jam, I’ll likely play. That is unless I don’t like the host!

Is there anything else you would like to add or anything you would like to plug?

I’m producing my very first show on August 16 at The Social Capital Theatre. The Social Capital has been a very important to me. It’s my improv home. It’s a magically place to me. I wish Ralph MacLeod and Carmine Lucarelli, the owners, knew how much I love and appreciate them. It means the world to me to have my show up on their stage.

It’s an experimental long form format that I came up with and want to try. It’s called Total Fucking Chaos. I’m hosting it in my Dean Project persona with our resident nutcracker, Munchie. It’s going to be a mix of all my favourite things. Punk rock, pro wrestling and long form improv. Be there!

Another disclaimer: I will be performing in Dan’s show, Total Fucking Chaos, so you should really check it out. 

Thank you so much for sharing, Dan! Improv has definitely become one of the best things in my life and I don’t know what I would do without it.

Improv is for anyone

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Shreya Patel (left) started improvising in January of 2017. She says pursuing improv has changed her life.

As Shreya Patel says, improv is for anyone. And she’s right. Before boarding the improv train last year, I never did any kind of performing. Hell, I never even imagined myself getting on stage. But getting into improv has been one of the best things I have ever done. Then again, I don’t do much.

Anyways, let’s meet Shreya, a model-turned-actress-improviser-and-filmmaker living in Toronto. She recently directed a documentary called Girl Up, aimed at raising awareness of domestic violence, human trafficking and social injustice. In addition to acting and improvising, she is also a mental health advocate and can be seen in this year’s Bell Let’s Talk campaign.

Disclaimer: Shreya is a friend of mine. We did classes together at Second City and we’re members of the same troupe, Coffee Breath. But she’s cool. Really cool. Here’s what she had to say.

How did you get into improv?

I was dealing with anxiety due to the negative environment at my workplace and I really needed a laugh which is when I decided to sign up for improv classes at Second City. It was something I always wanted to try and the time was right. I knew that taking my first improv class would keep me on my feet and help me be present in the moment which was hard to do at the time.

What has the journey been like for you?

The journey has been incredible. The teachers. The community. The people. When I first started my improv classes, I didn’t realize how addicted I would get to it or how far I would come. I am so grateful every day to the day I decided to do improv and signed up.

What would you say is your biggest accomplishment as an improviser?

I heard from teachers and peers that the Second City conservatory program is hard to get into. I was just finishing up Level E and didn’t think I was ready to audition so I didn’t sign up. On the last day of class, two days before the audition, our teacher Matt Folliott mentioned that if you audition and don’t get in, you will get good feedback for the future. I emailed to find out if any spots were still available and they squeezed me in with a group for the audition. I went to it stress-free because I was convinced I will be required to audition again and was there for just for the notes. I remember having the most fun on stage due to feeling no pressure. A couple of weeks later, I got an acceptance letter to the program. The feeling was incredible.

Any weird moments or scenes?

Oh, yes. I was performing at Comedy Bar with a great bunch of people and we did a pad set (a pad set is an audience-driven format, where improvisers come up with different premises based on audience suggestions). We got on stage and it got really weird. The premise involved Demi Lovato’s evil pants. I’m not kidding.  I played Demi Lovato, and two of my team members became my pants, one side each. One member became Owen Wilson and tried to save me from my pants.

How has improv made an impact on your life?

Improv has changed my life. My anxiety has healed and the amount of amazing people I have met on this journey is incredible. I am more involved in the community and I perform or watch improv shows every week. My ideal weekend is watching a show at Bad Dog Theatre or Comedy Bar, and hanging out after with everyone in the community.

If there’s one rule of improv that stuck with me, it’s that okay to make mistakes. Can you tell me about a time you’ve messed up on stage and just rolled with it?

Yes, there are many times as improvisers that we mess up on stage and we gotta know that it is okay. My Conservatory teacher Alastair Forbes gave us the best advice: If you are not having fun on stage, you are not doing it right! It really stuck with me and now every time I hit the stage, I always ask myself, how can I have the most fun right now and do that.

Where can we see you on stage?

We are putting up a show almost every second week at Second City for conservatory program and trying out new premises to see if it works. Our main show is on October 20 at 1pm at the Second City main stage. I will also be soon performing with my class at The Assembly Improv. Dates are getting finalized soon. For dates to the shows, follow @imshreyapatel.

Is there anything you want to add?

Improv isn’t just for actors. Improv is for anyone. I recommend it to anyone from all different backgrounds. It’s an excellent way to meet like-minded people, improve your mental health, build communication skills, have fun and…most importantly…laugh. Brighten up your day with some comedy. Do self-care. Do you.

Thanks, Shreya! You heard her, folks. Improv is definitely for anyone. Now go do some improv. Seriously.

Laughing in the face of fear

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Cameron Algie started improvising at Second City Toronto 12 years ago. “I’m a completely different person now, thanks to improv,” he says. Photo credit: Adrianne Gagnon.

Someone once told me that if you’re scared to do something, that is the reason why you should do it. I forget who that person was (I have the memory of a chimpanzee), but their words stuck with me.

To kick things off, I spoke with Cameron Algie, an improviser in Toronto. Cameron teaches improv for anxiety at Second City Toronto and Play With Fire Improv. He also produces Laugh in the Face of Fear, a show based on the theme of anxiety. We caught up about his journey as an improviser and how it changed his life.

How did you get into improv?

I was seeing a therapist for my anxiety and any time he tried to get me to be vulnerable, I’d turn to joking and trying to lighten the mood. He laughed a couple of times, told me I was funny, and said I should take a Second City class. I took it as him listening to me talk about how I felt alone and scared and sick all the time and unable to leave my house, and his solution was to go be funny on a stage in front of hundreds of judgmental strangers. I thought it over, and stopped seeing that therapist. But he had planted the thought in my head. About six months after that, I hit emotional rock bottom, and decided there was really nothing left to lose, so I signed up for a class.  I hated the idea and improv scared the shit out of me. After a few classes, I started to love it.

What has the journey been like for you?

Literally life-changing. I mean, I used to be a copywriter in advertising. I would go to classes or shows after work each night. Then I started teaching classes after work. Eventually the scales started to tip. I remember leaving work one night to do a show and the shocked expression on people’s faces that I would dare leave when there was still work to get done. But I’d found a new priority. When I finally worked up the courage to get fired, I decided to make a go of improv as a career. I make less, but I’m way happier.

Side bar, I recently went back and did a corporate improv show for the agency that fired me.

And how has improv made an impact on your life?

I’m a completely different person now thanks to improv. For one, I used to be a huge asshole. My inner voice was so judgmental and harsh. If I messed up at all, even flubbed a word, my inner voice would say something like, “You stupid useless piece of shit, no wonder nobody loves you!” I got used to that voice. It was all I heard. So used to it, it started to become my voice. I spoke to others the way I would speak to myself. If an account person (advertising person between the creatives and the clients) messed up at all, I would say something charming like, “You useless piece of shit…”

But I really took to the acceptance part of improv. This is how this is. Instead of constantly trying to change it, just give over to it and go along for the ride. It softened me tremendously. My inner voice is very loving now, and my outer has changed too. I hope there are people who can’t imagine me being an asshole, as much as I accept that there are still people from my ad days who can’t imagine me ever even smiling. Also, I smile all the time now.

I can’t imagine you being an asshole. Has improv changed the way you feel about yourself?

I felt I had to be perfect all the time. To constantly be better than I was yesterday and always growing and improving. It was a lot of pressure. I hated it. I hated life. Improv showed me mistakes were okay. I struggled to make mistakes at first, but then really grew to understand that there really is no such thing in improv. If you mess up and call cars “carbs” then your team builds a world where people drive carbs, and other people are worried about their weight and can’t drive carbs. The play is really in the mistakes. That carried over into my life and I was able to beat myself up less when something went “wrong.”

That’s one rule of improv that stuck with me, It’s okay to make mistakes. Can you share a time you’ve messed up on stage and just rolled with it?

Oh man, probably thousands of times. None are popping into my head because they weren’t treated as mistakes, so they didn’t even register as one. I remember one time seeing someone stumble a bit getting onto the stage. Very embarrassing. For one second. Before the next player on the team also stumbled. Then the next teammate fell onto the ground. The rest of the team heightened till the audience was enjoying their “obviously pre-planned” stage entrance bit. Voila, no mistake!

I’m curious. Can you tell us about a particularly weird scene you’ve been in?

That’s the thing about improv, it’s mostly weird. But not weird. I’ve played a feather boa constrictor, driven a bathtub car, had laser legs, and a whole bunch of other crazy shit, but they all felt normal in the context of the scene.

Any tips for other folks who may want to try improv?
I feel like I should know how to answer this.
    • Bring a friend. I brought Sally and my buddy Tom to my first Second City class and it helped having them there.
    • Go see a show. The first improv show I saw (Catch 23 at Clinton’s) blew my mind. I actually said, “I could never do that.” But there was something that seemed so cool about it.
    • Try a drop-in. It can feel scary to commit to a full class, but improvising for a couple of hours makes it feel more doable.
    • Try improv by yourself or with a friend. There are resources out there that have lists of improv games.
    • Just practice playing. Board games, sports, any of the 365 ways to play on Instagram at @PlayWithFireImprov.
    • Know that you don’t have to be funny and you’re not expected to be good. It’s a class, meaning you’re there to learn. And you’re not there to get good at improv, you’re there to get okay with not being good at something.
    • The class itself isn’t scary, but the idea of it is, so most of the fear will come before the class. The hardest part is walking through that door the first time. So maybe sign up at the last minute. That way you’re not signing up two months before and then waiting and imagining all kinds of things for weeks before you go do it. Decide to do a drop-in that night.
    • Also go to the place where you’re thinking of doing a drop-in or class, and check out the space or see a show. Having that familiarity will make it easier the next time you go.
    • Breathe.

Where can we see you on stage?

Gonna plug my own show here: Laugh in the Laugh-in-Face-of-Fear-Feb-e1488170420246.jpgFace of Fear. There’s a free drop-in beforehand for anxious people who’d like to try improv but are scared to sign up a full improv class. Third Tuesday of every month, 8pm, at The Social Capital.

Other than that, I don’t have a ton of regular shows. Come see S&P whenever we perform. And Booze Clues and Blast from the Past, and any show that invites me to come play. Follow me on Twitter? Don’t, I don’t use Twitter.

Thanks so much for sharing, Cameron! You heard him, folks. Follow him on Twitter.